Marked Up Photographs Show How Iconic Prints Were Edited in the Darkroom

Updated: Feb 24, 2019


Want to see what kind of work goes into turning a masterful photograph into an iconic print? Pablo Inirio, the master darkroom printer who works at Magnum Photos‘ New York headquarters, has personally worked on some of the cooperative’s best-known images. A number of his marked-up darkroom prints have appeared online, revealing the enormous amount of attention Inirio gives photos in the darkroom. Sarah Coleman of The Literate Lens writes that Inirio’s tiny darkroom has many of these squiggle- and number-filled prints just casually lying around. Not just any ol’ prints, mind you, but some of history’s most well-known images.


The comparison images above show photographer Dennis Stock’s iconic portrait of James Dean in Times Square. The test print on the left shows all the work Inirio put into making the final photo look the way it does. The lines and circles you see reveal Inirio’s strategies for dodging and burning the image under the enlarger, with numbers scattered throughout the image to note different exposure times.


Coleman wonders whether the magic of seeing this process will carry over at all into our new digital age:


"Over the last fifteen years, almost every photographer I’ve interviewed has waxed poetic about that “magical” experience of seeing an image develop in chemicals for the first time. You have to wonder whether today’s young photographers will rhapsodise as much about the first time they colour-calibrated their monitors".

Here’s a similar comparison photo of a portrait of Muhammad Ali, captured by Thomas Hoepker in 1966:

A portrait of photographer Henri Cartier-Bresson, captured by Bob Henriques during Martin Luther King’s march on Washington:

Finally, a portrait of Audrey Hepburn, captured by photographer Dennis Stock:






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