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Portraits Of Tā Moko Tattooed Māori Women Before The 1907 Tohunga Suppression Act.

These late-19th and early-20th-century photographs show some of the last Maori women to wear the traditional Tā moko face marking before British colonialists outlawed it. Tā moko is the name for the permanent body and face marking by Maori, the indigenous people of New Zealand.

The tattoos depicted the story of the wearer’s family, their ancestral tribe, and their position within that group. Moko were associated with mana and high social status; however, some very high-status individuals were considered too tapu to acquire moko, and it was also not considered suitable for some tohunga to do so.

Receiving moko constituted an important milestone between childhood and adulthood, and was accompanied by many rites and rituals. Apart from signaling status and rank, another reason for the practice in traditional times was to make a person more attractive to the opposite sex.

Men generally received moko on their faces, buttocks (raperape) and thighs (puhoro). Women usually wore moko on their lips (kauwae) and chins.

Other parts of the body known to have moko include women’s foreheads, buttocks, thighs, necks, and backs, and men’s backs, stomachs, and calves.

Two Maori girls with chin mokos in an ancient greeting, circa 1900.

While its exact origins are unknown, the art of ta moko came from Eastern Polynesian culture. Before the needle was introduced, ta moko instruments consisted of uhi chisels made of bone that would carve directly into the skin, leaving grooves rather than smooth skin.

As such, the ta moko process was long and painful, taking as long as a year for a piece to be completed. The pigment used in tā moko was usually made from charcoal mixed with oil or liquid from plants. Known as wai ngārahu, it was stored in special containers.

This photo shows Monika Ruke. She has a chin moko and is wearing feathers in her hair and earrings. A feather cloak with a taniko border is wrapped about her shoulders.

Women continued receiving moko through the early 20th century, and the historian Michael King in the early 1970s interviewing over 70 elderly women who would have been given the moko before the 1907 Tohunga Suppression Act. Women were traditionally only tattooed on their lips, around the chin, and sometimes the nostrils.

After the British invaded New Zealand, ta moko declined as a cultural form. This was partly due to the Tohunga Suppression Act of 1907, which outlawed Māori medical practices.

As these were closely linked to Māori spiritual and cultural traditions, the Māoris lost much of their culture and became what was termed as a “lost race.” The Act was eventually repealed in 1962.

Since the 1990s, there has been a resurgence of the practice of ta moko for both men and women as a sign of their cultural Maori identity.

An unidentified Maori woman with a chin moko, feathers in her hair, and European clothing, taken around 1895.

Susan Rotorua, a young Maori woman with a tiki around her neck, circa 1890s.

Head-and-shoulders portrait of a Maori, facing front, in native clothing, circa 1890s.

An unidentified Maori woman in a top hat shows off her chin moko. The photo is believed to date from around the 1890s.


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